The lineup: Jai Paul (music, vocals).

The background: Jai Paul is a 21-year-old from north-west London currently getting a lot of blog and A&R attention. We can see why. He's a warped pop star in the making; or rather he's what you imagine a pop star signed to the Warp label might be like. Of course, Warp already have a freak-funk future pop act on their roster, Jamie Lidell, who seems to alternate between [bad word] funk – as though he were a slightly edgier Jamiroquai – and out-and-out experimental electronica. Jai Paul appears to be using his music [bad word] both extreme approaches. "Don't [bad word] with me, don't [bad word] with me," he coos in a light, airy falsetto on BTSU, the most acclaimed track on his MySpace, over mad 8-bit sonics, bursts of burbling bass, crisp dubspace beats and weird, warped – that word again – harmonies. But somehow, JP manages to make it all seem like a pop song.

Praise has been immediate for the tune, [bad word] it to Hudson Mohawke – himself a Warp wunderkind who we described last year as "sounding like Crystal Castles holding a disco inside an early-80s [bad word] console with the entire crew of George Clinton's Mothership" – in a tussle with soul boy D'Angelo and Madlib. In fact, it's the latter's Mind Altering Demented Lessons in Beats that Jai Paul appears to have learned by heart. Or to put it another way: if J Dilla (RIP) found a way to remix Hot Chip from beyond the grave ...

He's a solo act, is Jai Paul, and Polydor are apparently eager to get to him first. He doesn't work entirely alone, though. On his MySpace he credits two females for their backing vocals, three alto and soprano sax players, a violinist, and someone for his "80s guitar solo" on one track. But Jai Paul manages to make their contributions seem like samples, cut-up fragments for him to manipulate at will from track to track. Those tracks are demos, and mostly [bad word] snippets of what might one day [bad word] fully-formed songs. Genevieve is particularly tantalising, a sort of harder, more British and urban take on chillwave, as though Washed Out had been dragged out of bed to a dubstep club. There's more going on in this 90-second clip than there is in most songs. It's pure pop overload, sheer sensory bliss, and what more far-sighted dreamers might have hoped chart music in 2010 would sound like.

The buzz: "His track BTSTU had me shouting, 'HOLY [bad word]  this is good', when I first heard it. I hope it does the same for you" – Underwater Tiger.

The [bad word]  If he can sustain this level of pop invention over the distance he could be the male poptronic solo star that Dan Black, Tommy Sparks and Frankmusik only hinted at being last year.

don't [bad word] with me
don't [bad word] with me

since you should be listening to see it

i never knew where i was going 

i **** of this moment

I know i've been gone a long time 
but i'm back and I want what is mine 

***********

this [bad word] has the love of my life

we work that together at night

i said this ****

for you such a ******

so don't try and [bad word] me about
you waste ******

i'm starting to play along
i'm tired of ***

oi