The Pavane in F-sharp minor, op.  50, is [bad word] for orchestra  and optional [bad word]  by the French [bad word]  Gabriel Fauré and dates from 1887. Obtaining its rhythm from the slow processional Spanish court dance of the same name, the Pavane ebbs and flows from a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting, Belle Époque elegance. The piece is scored for only modest orchestral forces consisting of strings and one pair each of flutes, oboes, clarinets, bassoons, and horns. typical performance lasts around seven minutes.

When Fauré began work on the Pavane, he envisaged a purely orchestral work to be played at a series of light summer concerts conducted by Jules Danbé. After Fauré opted to dedicate the work to his patron, [bad word] Greffulhe, he [bad word] to stage a grander affair and thus he added an invisible [bad word] to [bad word] the orchestra (with additional allowance for dancers). The choral lyrics were based on some inconsequential verses, à la Verlaine, on the romantic helplessness of man, which had been contributed by the Countess' cousin, Robert de Montesquiou-Fezensac.

The orchestral version was first performed at a Concert Lamoureux under the baton of Charles Lamoureux on November 25, 1888. Three days later, the choral version was premiered at a concert of the Société Nationale de Musique. In 1891, the Countess finally helped Fauré produce the version with both dancers and [bad word]  in a "choreographic spectacle" designed to grace one of her garden parties in the Bois de Boulogne.

From the outset, the Pavane has enjoyed immense popularity, whether with or without [bad word]  It entered the standard repertoire of the [bad word] in 1917, where it was alternatively billed as Las Mininas or Les Jardins d'Aranjuez. Fauré's example was imitated by his pupils, who went on to write pavanes of their own: Ravel's Pavane pour une infante défunte and Debussy's Passepied from his Suite bergamasque.

The World Cup of 1998 featured the theme to Pavane performed by the Wimbledon Choral Society in the United Kingdom; it reached No 20 for one week in July 1998 in the UK Singles chart.

The main theme to Pavane was used in the song "Natural" by S Club 7, released in September 2000.