J: Hey Kage
K: Jables
J: How goes it man?
K: S’good… s’good
J: Y’know I been thinking a lot about it, and um, I just want us to be the
best [bad word] band in the world.
K: Well yeah me too!
J: There’s no point in doing it if we’re not the best.
K: Well [bad word]  I agree with that.
J: I mean what, yeah we’re gonna be, yeah we’re really good. We’re like
almost as good as Arcade Fire, [bad word] that. 
K: Yeah
J: We gotta leave those [bad word] in the dust!
K: What, what do you..
J: All those [bad word] youngsters gotta lick our [bad word] boot or [bad word] it!
Y’know what I mean?
K: Yeah! Yeah, well what, how do we do that though?
J: *sigh* Dude you need to [bad word] have some lessons. 
K: What!
J: I know, you’re really good but you gotta expand your game.
K: Lessons!
J: Y’know how Koby in the off season would go and like, learn a [bad word] 
y’know a Texas Two-Step or something, to add to his [bad word] 
K: Man, yeah, that’s [bad word]  That’s [bad word]  
J: Well I’ve just been noticing some of your classic riffs are a little
sloppy. 
K: Really?
J: And I, I hope you’re not [bad word] off at me but I went ahead and hired a
dude.
K: Yeah? Oh no, what!
J: Dude, just give it a chance will you? If you don’t like- ah hey! I
swear, if you don’t like it we’ll [bad word] fire his [bad word]  He’s out. 
K: Who is this guy? I never…
J: His name is Felix Char (?)
K: Urgh, what.
J: He’s from Spain and he is the best. 
K: Oh god…
J: I got him from the [bad word] London Phildsarmonic. (Meant to be
Philharmonic) 
K: Urgh, I just, I don’t know him, it seems weird!
J: Will you just, will you just spend a minute with him?
K: OK. Alright. I’ll spend a minute with him. 
J: OK bro, he’s right outside I’m sending him in.
K: Oh god, OK. Why? Lessons, so stupid.
F: Hello? 
K: Uh, hi!
F: Hello, I am Felix Char. 
K: Hi, uh. Felix? Yeah, um. 
F: Ah, as, Jack as asked me to spend some time with you. Uh.
K: OK, hm.
F: One on one. So, while Jack is outside, ah we will work on your
technique. 
K: OK.
F: Can I see you pick up, is this your guitar here? 
K: Yup. Yeah, I gotta it, I gotta it right over here.
F: Ah, it is a Fender ay? Is this a Fender?
K: Ah well it’s a Gibson. 
F: Yes a Gibson, yes. Made by the same, uh, manufacturer. Pick it up
please, can you pick it up? 
K: OK. Yeah.
F: No, no, no, d-d-d-d-d-d-d bap-bap-bap-bap-bap-bap-bap-bap! 
K: What? What’d I do? What’d I do?
F: You pick it up from the neck! This is not the way you pick up a guitar! 
K: I just picked it up, I just-
F: No,no, hey, hey, hey, hey, hey, cállate tu bocar, pick it up from the
body. 
K: The what!
F: The body. 
K: Oh the body! Body, OK. 
F: I’m sorry about my accent.
K: I didn’t know, I didn’t know.
F: Now listen to me. I want you to play, like it is a woman. You go and
play the guitar now. Play. 
K: Uh, OK? Uh.
F: No, no, no, no, no. You, your fingers. Your fingers are too tight. 
K: They’re too tight?
F: Yes, let me get behind you. Like this, you see? 
K: Oh! Hn.
F: If I put my finger, on your finger.
K: Hey! 
F: Then you can feel…
K: I can! Wait!
F: Sh, sh, sh, sh, shu! Finger to your mouth. I put my finger on your
mouth, on your lips.
K: Mhmhm!
F: Yes that’s good. 
K: Hey man! 
F: Now listen hey, you want to play like an [bad word]  
K: I’m just try- what!? 
F: Feel this. Do you feel that?
K: Oh god! This is really weird man! 
F: That’s my [bad word]  
K: WHAT!
F: That’s my [bad word] in your butt cheeks. 
K: OH GOD! Hey!
F: Do you feel it?
K: NO!
F: Now I’m going to tough your [bad word]  
K: OW!
F: Let me touch your [bad word]  
J: It’s me!
K: WHAT?!
J: It’s me. It’s JB. 
K: GOD!
J: There’s no Felix dude.
K: What are you doing?!
J: I’M [bad word] WAKING YOU UP! I’M TRYING TO SHAKE YOUR FOUNDATIONS!